Saturday, 21 December 2013
When Your Mother Says She’s Fat
By Kasey Edwards
https://medium.com/human-parts/bf5111e68cc1
Dear Mum,
I
was seven when I discovered that you were fat, ugly and horrible. Up
until that point I had believed that you were beautiful — in every sense
of the word. I remember flicking through old photo albums and staring
at pictures of you standing on the deck of a boat. Your white strapless
bathing suit looked so glamorous, just like a movie star. Whenever I had
the chance I’d pull out that wondrous white bathing suit hidden in your
bottom drawer and imagine a time when I’d be big enough to wear it;
when I’d be like you.
But
all of that changed when, one night, we were dressed up for a party and
you said to me, ‘‘Look at you, so thin, beautiful and lovely. And look
at me, fat, ugly and horrible.’’
At first I didn’t understand what you meant.
‘‘You’re
not fat,’’ I said earnestly and innocently, and you replied, ‘‘Yes I
am, darling. I’ve always been fat; even as a child.’’
In the days that followed I had some painful revelations that have shaped my whole life. I learned that:
1. You must be fat because mothers don’t lie.
2. Fat is ugly and horrible.
3. When I grow up I’ll look like you and therefore I will be fat, ugly and horrible too.
2. Fat is ugly and horrible.
3. When I grow up I’ll look like you and therefore I will be fat, ugly and horrible too.
Years
later, I looked back on this conversation and the hundreds that
followed and cursed you for feeling so unattractive, insecure and
unworthy. Because, as my first and most influential role model, you
taught me to believe the same thing about myself.
With
every grimace at your reflection in the mirror, every new wonder diet
that was going to change your life, and every guilty spoon of
‘‘Oh-I-really-shouldn’t,’’ I learned that women must be thin to be valid
and worthy. Girls must go without because their greatest contribution
to the world is their physical beauty.
Just
like you, I have spent my whole life feeling fat. When did fat become a
feeling anyway? And because I believed I was fat, I knew I was no good.
But
now that I am older, and a mother myself, I know that blaming you for
my body hatred is unhelpful and unfair. I now understand that you too
are a product of a long and rich lineage of women who were taught to
loathe themselves.
Look
at the example Nanna set for you. Despite being what could only be
described as famine-victim chic, she dieted every day of her life until
the day she died at seventy-nine years of age. She used to put on
make-up to walk to the letterbox for fear that somebody might see her
unpainted face.
I remember her ‘‘compassionate’’
response when you announced that Dad had left you for another woman. Her
first comment was, ‘‘I don’t understand why he’d leave you. You look
after yourself, you wear lipstick. You’re overweight — but not that
much.’’
Before Dad left, he provided no balm for your body-image torment either.
‘‘Jesus,
Jan,’’ I overheard him say to you. ‘‘It’s not that hard. Energy in
versus energy out. If you want to lose weight you just have to eat
less.’’
That night at dinner I watched you implement
Dad’s ‘‘Energy In, Energy Out: Jesus, Jan, Just Eat Less’’ weight-loss
cure. You served up chow mein for dinner. (Remember how in 1980s
Australian suburbia, a combination of mince, cabbage, and soy sauce was
considered the height of exotic gourmet?) Everyone else’s food was on a
dinner plate except yours. You served your chow mein on a tiny
bread-and-butter plate.
As
you sat in front of that pathetic scoop of mince, silent tears streamed
down your face. I said nothing. Not even when your shoulders started
heaving from your distress. We all ate our dinner in silence. Nobody
comforted you. Nobody told you to stop being ridiculous and get a proper
plate. Nobody told you that you were already loved and already good
enough. Your achievements and your worth — as a teacher of children with
special needs and a devoted mother of three of your own — paled into
insignificance when compared with the centimeters you couldn’t lose from
your waist.
It broke my heart to witness your despair
and I’m sorry that I didn’t rush to your defense. I’d already learned
that it was your fault that you were fat. I’d even heard Dad describe
losing weight as a ‘‘simple’’ process — yet one that you still couldn’t
come to grips with. The lesson: you didn’t deserve any food and you
certainly didn’t deserve any sympathy.
But I was
wrong, Mum. Now I understand what it’s like to grow up in a society that
tells women that their beauty matters most, and at the same time
defines a standard of beauty that is perpetually out of our reach. I
also know the pain of internalising these messages. We have become our
own jailors and we inflict our own punishments for failing to measure
up. No one is crueler to us than we are to ourselves.
But
this madness has to stop, Mum. It stops with you, it stops with me and
it stops now. We deserve better — better than to have our days brought
to ruin by bad body thoughts, wishing we were otherwise.
And
it’s not just about you and me any more. It’s also about Violet. Your
granddaughter is only three and I do not want body hatred to take root
inside her and strangle her happiness, her confidence and her potential.
I don’t want Violet to believe that her beauty is her most important
asset; that it will define her worth in the world. When Violet looks to
us to learn how to be a woman, we need to be the best role models we
can. We need to show her with our words and our actions that women are
good enough just the way they are. And for her to believe us, we need to
believe it ourselves.
The older we get, the more
loved ones we lose to accidents and illness. Their passing is always
tragic and far too soon. I sometimes think about what these
friends — and the people who love them — wouldn’t give for more time in a
body that was healthy. A body that would allow them to live just a
little longer. The size of that body’s thighs or the lines on its face
wouldn’t matter. It would be alive and therefore it would be perfect.
Your
body is perfect too. It allows you to disarm a room with your smile and
infect everyone with your laugh. It gives you arms to wrap around
Violet and squeeze her until she giggles. Every moment we spend worrying
about our physical ‘‘flaws’’ is a moment wasted, a precious slice of
life that we will never get back.
Let
us honor and respect our bodies for what they do instead of despising
them for how they appear. Focus on living healthy and active lives, let
our weight fall where it may, and consign our body hatred in the past
where it belongs. When I looked at that photo of you in the white
bathing suit all those years ago, my innocent young eyes saw the truth. I
saw unconditional love, beauty and wisdom. I saw my Mum.
Love, Kasey xx
https://medium.com/human-parts/bf5111e68cc1
Tuesday, 29 October 2013
Saturday, 19 October 2013
Marmite - the facts
MARMITE is 100% vegetarian.
The basic raw material used in the manufacturing of MARMITE is leftover brewer's yeast (the stuff left at the bottom of the pot when making Whisky).
MARMITE is one of the UK's most popular savoury spreads - sales topping 23.5 million.
MARMITE can be eaten on toast, in sandwiches or as an ingredient in stews and casseroles.
MARMITE contains virtually no fat or sugar (only 8kcal per 4g serving).
MARMITE is listed as Kosher, but under the status of 'not manufactured under Rabbinical supervision'
Love it or hate it.
Friday, 18 October 2013
Thursday, 17 October 2013
Wednesday, 25 September 2013
Tuesday, 24 September 2013
When I Am An Old Woman I Shall Wear Purple
Warning
When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandals, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
Jenny Joseph
Saturday, 14 September 2013
Thursday, 5 September 2013
Sunday, 4 August 2013
Tuesday, 30 July 2013
Friday, 21 June 2013
Tuesday, 26 February 2013
Wednesday, 13 February 2013
Tell me about despair, yours, and I will tell you mine.
One of the most amazing people I have ever known was recently diagnosed with bipolar affective disorder. To know she was struggling with it herself for so long while I knew her to be so caring of others is astounding. A mutual friend of ours posted this for her.
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.
(Wild Geese - Mary Oliver.)
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.
(Wild Geese - Mary Oliver.)
Monday, 11 February 2013
Monday, 7 January 2013
Iconic Photographs: Vulture Stalking a Child
In March 1993, photographer Kevin Carter
made a trip to southern Sudan, where he took now iconic photo of a
vulture preying upon an emaciated Sudanese toddler near the village of
Ayod. Carter said he waited about 20 minutes, hoping that the vulture
would spread its wings. It didn’t. Carter snapped the haunting
photograph and chased the vulture away. (The parents of the girl were
busy taking food from the same UN plane Carter took to Ayod).
The photograph was sold to The New York Times
where it appeared for the first time on March 26, 1993 as ‘metaphor for
Africa’s despair’. Practically overnight hundreds of people contacted
the newspaper to ask whether the child had survived, leading the
newspaper to run an unusual special editor’s note saying the girl had
enough strength to walk away from the vulture, but that her ultimate
fate was unknown. Journalists in the Sudan were told not to touch the
famine victims, because of the risk of transmitting disease, but Carter
came under criticism for not helping the girl. ”The man adjusting his
lens to take just the right frame of her suffering might just as well be
a predator, another vulture on the scene,” read one editorial.
Carter eventually won the Pulitzer Prize
for this photo, but he couldn’t enjoy it. “I’m really, really sorry I
didn’t pick the child up,” he confided in a friend. Consumed with the
violence he’d witnessed, and haunted by the questions as to the little
girl’s fate, he committed suicide three months later.
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